Traditional art : Ceramics

A celadon incense burner from the Goryeo Dynasty with Korean kingfisher glaze

The use of earthenware on the Korean peninsula goes back to the Neolithic. The history of Korean Ceramics is long and includes both Korean pottery a later development after the traditional use of coils and hammered clay to create early votive and sculptural artifacts. During the Three Kingdoms period, pottery was advanced in Silla. The pottery was fired using a deoxidizing flame, which caused the distinctive blue grey celadon color. The surface was embossed with various geometrical patterns.

In the Goryeo period jade green celadon ware became more popular. In the 12th century sophisticated methods of inlaying were invented, allowing more elaborate decorations in different colours. In Arts of Korea, Evelyn McCune states, "During the twelfth century, the production of ceramic ware reached its highest refinement. Several new varieties appeared simultaneously in the quarter of a century, one of which, the inlaid ware must be considered a Korean invention."[6] Neither the Chinese nor the Japanese had produced inlaid celadon, which was unique to Goryeo wares. William Bowyer Honey of the Victoria and Albert Museum of England, who after World War II wrote, "The best Corean (Korean) wares were not only original, they are the most gracious and unaffected pottery ever made. They have every virtue that pottery can have. This Corean pottery, in fact, reached heights hardly attained even by the Chinese."[7]

White porcelain became popular in the 15th century. It soon overtook celadon ware. White porcelain was commonly painted or decorated with copper.

With the Japanese invasions of Korea in the 16th century, many potters were abducted to Japan where they influenced Japanese ceramics.[8][9][10] Many Japanese pottery families today can trace their art and ancestry to these Korean potters whom the Japanese captured by the thousands during its repeated conquests of the Korean peninsula.[11][12][13]

In the mid Joseon period (late 17th century) blue-and-white porcelain became popular. Designs were painted in cobalt blue on white porcelain. With the growth of Japan's hegemony on the peninsula towards the end of the 19th century, the tradition of porcelain declined as Japanese pottery flourished and eclipsed its Korean counterpart.